About two weeks ago, I reached out on Facebook, Instagram, and through my newsletter, asking everyone to vote for their favorite images from my portfolio.
After reviewing the responses, I decided to create an in-depth educational video detailing the creative process behind the winning image—from the initial idea and production to final editing. After a few weeks of preparation, the video is now available for you to enjoy!
As I reviewed the social media posts and feedback about the winning image, I noticed several important questions came up. Since I aimed to keep the video concise, I couldn’t address everything in that format. So, I decided to include a Q&A section here on the blog, answering the most common questions you asked:
At that stage of my career, I was using the legendary Canon 1D Mark IV paired with a variety of lenses (16-35mm, 50mm, and 70-200mm).
A key lesson for any traveling photographer is to have a reliable camera. I loved the Canon 1D Mark IV for its durability. I purchased it in 2011, and since then, it’s endured extreme weather conditions, tough journeys, and rough terrain—all while continuing to perform flawlessly.
For the Eagle Huntress project, I primarily used the Canon 70-200mm IS USM F2.8 lens. As I explain in the video, I chose this lens for its ability to compress the background, bringing the Altai Mountains closer to the subject and making them more dominant in the images.
Regarding power, many places we visited lacked electricity, which presented a challenge for charging batteries. We had two options: drive to a nearby town for overnight charging sessions or hook up to the driver’s car battery. The second option was easier but risky, as it occasionally left us stranded when the car refused to start! Looking back, renting a generator would have been more responsible, but my backpacking budget at the time made that impractical.
I rarely use artificial lighting in my work, especially for cultural photography, as it can disrupt the flow of the shoot.
The lighting you see in the Eagle Huntress series is all-natural. I tend to shoot during the golden hours—sunrise, sunset, and twilight—since these moments offer the best natural lighting conditions.
Absolutely. Nothing would have worked without their collaboration. Before photographing any hunter, I spent as much time as possible understanding the kind of images they felt best represented their culture and shared my creative vision with them.
As I explained in the video, it's important to involve the people you’re photographing in your creative process. They know their culture better than anyone, and their input is invaluable.
Oh, I’ve got just the thing for you! This may sound like a shameless plug, but I’ve actually written a free e-book on that exact topic. Seriously, here’s the link:
7 Tips for Making Better Photography Projects.
In the e-book, I offer seven practical tips to help you produce impactful photo stories and stand out in today’s competitive documentary photography market.
Revisiting the story behind the iconic image of the Eagle Huntress and turning it into a video was an absolute joy. I want to thank everyone who participated in the voting process! If you have any additional questions, feel free to message me or leave a comment on the video.
Learn How To Make Better Photography Projects By Using 7 Simple Tips & Tricks That Will Help To Get Your Work Published.
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